Your website
The square-foot price is the one number that means nothing.
The short answer
Two flooring quotes for the same product, thousands apart, and the customer cannot see why. The difference is under the floor and in the trim, and the page that itemizes it wins the customer who was caught once.
Your customer has three quotes on the kitchen table for the same floor in the same house, and they are thousands of dollars apart. He is not stupid. He has read all three carefully. He simply cannot see where the difference is, because two of them are written as a rate per square foot and a total, and a rate per square foot is not a price.
Here is a worked example, and every number in it is an assumption we are printing so you can replace it with yours. Say 900 square feet. Quote A: material and fitting at $6 a foot, $5,400, and that is the number on the page. Quote B: the same product, $6,400 — because it also carries lifting and disposing of the old carpet, leveling a subfloor that is out by half an inch across the room, and the trim and thresholds. A thousand dollars apart on paper, identical work in reality, except that in Quote A somebody is going to have that conversation on the morning of the job, standing in an empty room, with the customer already committed.
Why he compares the wrong number
Because that is the number the trade taught him to compare. Every showroom banner, every supplier ad, every quote he has ever been handed leads with a rate per square foot. So he does the arithmetic he was invited to do, picks the smallest one, and gets the exact outcome the format produces.
You cannot fix that by explaining that you are worth more. Everybody says that and it sounds identical coming from the cheap one. What you can do is show him the shape of the thing he is comparing, which is a completely different act: not a claim about you, a description of his own situation that he will recognize.
The four lines that are missing from the cheap quote
| The line | What happens when it is missing |
|---|---|
| The subfloor — checked, and levelled if it needs it | The most common source of the morning-of conversation and the biggest single variable in the job. It is also why a floor cups, creaks or fails a warranty later. |
| Lifting and disposing of what is there now | Somebody has to carry the old carpet out and pay to dump it. If the quote is silent, that somebody is the customer, on the day. |
| Trim, thresholds and door clearances | A floor stops at the edges of the room, and the edges are where it looks cheap or expensive. Doors that no longer close are the classic afterthought. |
| Moving furniture, and what happens to the appliances | Ordinary in a lived-in house, and quietly enormous in a kitchen with a plumbed-in machine. |
Put those four on your website as a page of their own, written as questions to ask anybody, including you. It costs you nothing — you were going to do all four anyway, which is why your number is higher — and it hands the customer a way to make the three quotes comparable for the first time.
And the second problem: he is buying from a sample
The other thing that goes wrong in this trade has nothing to do with money. He chooses a floor from a piece the size of a postcard, under showroom lighting, and then puts 900 square feet of it in a north-facing room. Wood moves in tone across a batch. A sample cannot show a repeat pattern. A gray that looked warm under halogen turns blue at four in the afternoon in November.
So your photographs should not be product shots — the supplier has better ones and they help nobody. Photograph whole rooms you have actually finished, and say which direction the window faces and what time of day it was. That is the single most useful image in this trade and almost nobody publishes it.
That last offer looks reckless and is not. Most of the quotes people send will be missing two of the four, and you will have explained it without saying a word about your competitor’s character. On the ones that are complete and cheaper, you say so, lose the job, and become the person whose name comes up next time anybody on that street asks about floors.
What comes off the page
The supplier’s product catalogue. Fifty swatches with names like Rustic Oak, which every competitor also has because it came from the same brochure, and which cannot show him what he actually needs to know. Keep six floors you have laid, photographed whole, in real rooms, with the light described. The catalogue is the manufacturer’s job. The room is yours.